Friday, December 20, 2024

VIRUPAKSHA YEARS DURING 1899-1916

 












The formless and imperishable Real stands revealed in the Aruna Hill, the embodied Presence of the three-eyed God. Since the Cave named Virupaksha sustains the very devotees who dwell within the Heart-cave of that God, well may we call it Mother.

—Bhagavan Ramana

Ramana stayed in the Virupaksha Cave for seventeen years from 1899 to 1916. Ramana was just a young lad of twenty years when he shifted from Gurumurtam to the Virupaksha Cave. Ramana’s feelings towards this cave are expressed in the stray verse extracted above. He considers it appropriate to call it “Mother” because it sustains the very devotees who give themselves wholly to the Aruna Hill, the embodied form of Lord Siva.

This cave is situated on the eastern slopes of the Aruna Hill. It is a unique cave, which has the shape of the mystic syllable “Om.” It is named after Virupaksha Deva, a saint who lived and has been buried there in the 13th century. Many momentous events in Ramana’s life took place during the years of his stay here. It was here that his mother Azhagammal came to live with him permanently in the last years of her life. She surrendered herself totally to him and was guided by him on the inward path. Her liberation at the sacred hands of Ramana is an epoch-making event.

Another event of immense significance is Ramana’s “first spoken upadesa” to a disciple, which was given to Ganapati Muni in 1907. Till then Ramana had remained silent outwardly as well.

It was again at Virupaksha that Ramana communicated the experience of his enlightenment through his spiritual instructions to Gambhiram Seshier and Sivaprakasam Pillai.

In writing about the Virupaksha years of Ramana, one might say that it is not a biographer’s account but almost an autobiographical account by Ramana himself.

Hornets

In the initial years an attempt was made by the trustees of the Virupaksha Math, who owned the cave, to levy a small charge for the entry. Ramana did not want any kind of interference with his accessibility. Hence he moved out of the cave to a level path of ground outside it and sat under the shade of a tree there. When the agent tried to levy a fee there also, Ramana shifted to the nearby Sadguruswami cave for a short time. The trustees, realizing the inconvenience caused, stopped levying the fee so that Ramana could return to the Virupaksha Cave.

An event while at this cave as narrated by Ramana is fascinating. “In those days I used to go all by myself. For answering calls of nature I used to stroll along taking no water with me, but going wherever water may be available.

It was on one such occasion, on one morning, that I came across the banyan tree of which I have spoken often.

“As I was walking on the bed of a hill stream, I saw a big banyan tree on a boulder, with big leaves. And crossing the stream, I wanted to get to the other bank and view from there this big tree. When I accidentally put my left foot near a bush on the way to the other bank, so that the hornets clustered round my left leg up to the knee and started stinging it. They never did anything to my right leg.

I left the leg there for some time, so that the hornets could inflict full punishment on the leg which had encroached on their domain. After a time, the hornets withdrew and I walked on. The leg got swollen very much and I walked with difficulty and reached ‘Ezhu Sunai’ (Seven Springs) about 2 a.m.

“Jadaswami, who was camping there then, gave me some buttermilk mixed with jaggery, which was all that he could provide by way of food. This is what actually happened. But afterwards, people have gone and written that I had purposely set out to explore and find the banyan tree described in the purana as the one on the northern peak of the Hill, where Arunachala is said to be residing as a siddha. I never had any such idea. When I saw for the first time a remarkable banyan tree on a huge and precipitous boulder, I was prompted by curiosity to have a look at it. Meanwhile, the hornets stung me and I forgot all about the tree.”

The last words, “I forgot all about the tree,” show Ramana’s sense of humor.

Ramana also composed a stray verse on this incident, which is extracted below:

Apology to Hornets

When I was stung by hornets in revenge

Upon the leg until it was inflamed,

Although it was by chance I stepped upon

Their nest, constructed in a leafy bush,

What kind of mind is his if he does not

At least repent for doing such a wrong?

Composition of the Five Hymns

We have an account of how the Decad on Arunachala and Eight Verses on Arunachala came to be composed by Ramana spontaneously.

“One morning, when he was sitting on the verandah in Virupaksha Cave, the words ‘Karunaiyal Ennai’ came to him very insistently, but he took no special notice of them. It seems the same thing happened the following morning also.

Then Bhagavan composed the first stanza of The Decad on Arunachala. The next morning the words beginning the second stanza similarly came to him and he composed the second stanza; and so the thing went on every day, till the last two stanzas were composed on one day. On that day, after composing the two last stanzas, Bhagavan, it seems, started for giripradakshina (going round the hill). One of his disciples, Aiyaswami, brought a piece of paper and pencil and told another disciple who was going with Bhagavan, ‘Bhagavan has been composing one stanza every morning for some days now, and today he has composed two stanzas. More may come to him today. In case they do, have this paper and pencil with you so that the same may be recorded.’ Bhagavan actually composed the first six stanzas of the Arunachala

Ashtakam (Eight Verses on Arunachala).

It seems Echamma first got “The Marital Garland of Letters” published. Narayana Reddi came to know of the Padikam and Ashtakam soon afterwards and wanted to publish them. 

Then Bhagavan composed two more stanzas for completing the Ashtakam and the Decad (Padikam) and Eight Verses (Ashtakam) were published by Narayana Reddi. This is how the Padikam and Ashtakam in the Five Hymns on Arunachala came to be composed.”

The most famous of Ramana’s Five Hymns on Arunachala  is “The Marital Garland of Letters” with the refrain Arunachala Siva. This was also mostly composed during Ramana’s circuits of Arunachala. The story of the need for composing these 108 verses has been mentioned by Ramana. In order to feed Ramana and the fellow devotees at the Virupaksha Cave it became necessary to beg for alms in the streets of Tiruvannamalai. Palaniswami wanted Ramana to compose a new devotional hymn so that Ramana’s group may be identified by the people of the town. After it was composed a party of four led by Palaniswami would start out to town, blow a long blast on their conches, and start chanting “The Marital Garland of Letters.” This was an announcement to the town’s people that Bhagavan’s party had left the cave on their begging mission. The party would give another blast when they reached the foot of the hill. A third call would be sounded at the entrance of the street. All the residents of the street would be ready with their offerings and the party would march along the street singing and some collecting the offerings. The food collected was ample, it seems, for all who gathered near Bhagavan and even all of the monkeys etc. “The Marital Garland of Letters” was specially composed for use by the begging party. Bhagavan humorously added, “‘Marital Garland of Letters’ fed us for many years.”

Ramana with Children

Even though Ramana remained silent in the first years of stay at Virupaksha Cave, many children would climb up to the cave and sit for long periods just to be in his presence. After 1907, sometimes Ramana would join the children in their play. He played marbles with them and referred to this later as follows: “The holes dug for the purpose must be there even now. Those children sometimes used to bring packets of sweetmeats and we all used to share them. During Deepavali they used to put aside my share of the crackers and bring them up to me. We used to fire the crackers together.”

Ramana has also narrated how two children were emotionally moved when he was about twenty-two and living in the Virupaksha Cave. It seems he was sitting on a rock near the cave and a boy about 8 or 10 came there, looked at Bhagavan and, not being able to bear the sight of such a young and bright person taking to such a hard life of penance, was so moved by compassion that he started to sob and sobbed violently for some time.

Bhagavan said, “Who could say what was the reason for his sobbing and why tears flowed out of him merely at his seeing me?” Bhagavan continued in a reminiscent mood later in the day and added that another boy, also about 8 or 10 years old, met Bhagavan another day at Virupaksha Cave. He took such pity on Bhagavan that the following conversation took place between them.

Bhagavan was sitting on a rock near the cave, all alone, and the boy met him there.

Boy: Why are you here all alone, like this?

Bhagavan: I had some trouble at home and so have come away like this.

Boy: Then how about your food?

Bhagavan: I eat if anybody gives me anything to eat.

Boy: I have a good master. I shall take you to him.

First, you may have to volunteer your services free. If he approves of your work, he will give three pies a day and gradually increase it to six pies, and so on.

Bhagavan added, “There was no doubt that the boy was very much concerned over what he considered my sad plight and that he was moved ” by great and genuine pity. 

Some Other Incidents

One day Ramana was doing a small masonry job when some visitors came up in order to see the Swami. He told them, “Swami has gone out.” When they were returning down the hill, they met Echamma who told them that the person whom they had met was none other than the Swami. She later asked Ramana why he had misled the men, to which Ramana replied, “Do you want me to go about with a bell around my neck announcing ‘I am the Swami’ or to have a label on my forehead that ‘I am the Swami’?”

In 1912, a group of devotees headed by Vasudeva Sastri, wished to celebrate Ramana’s birthday for the first time. Ramana opposed it saying that the true birth is only when one becomes Self-aware. But Vasudeva Sastri pleaded with him saying ,"It is for our sake and Bhagwan should not object." Since then the celebration known as jayanti has been a very important occasion for all the disciples and devotees of  Ramana.

Once Ramana’s grandmother came to see him. This is Ramana’s account of it. “She came while we were there and said that she would cook food for herself. We told her that she could do so in the cave nearby. She agreed and started cooking. She said to me, ‘Venkatarama, I am cooking today. You should not take any other food!’ I said yes, but after she left, I ate with the others as usual. When she had cooked, I ate that food also.

An old relative of Ramana’s known for his abusive tongue came along. He was really a good-natured man and meant no ill to anybody. Soon after he came, he asked jocularly, “What Venkataraman, it seems you have become a big Swami! Have you grown horns on your head?”

While at Virupaksha, Ramana also wrote in prose a Tamil translation of Vivekachudamani, a sacred scripture composed by Adi Sankara. Right from Gurumurtam days, Palaniswami used to bring Ramana spiritual books from the library in the town. At Virupaksha also he continued to do so. 

Thus Ramana became more and more acquainted with the sacred lore of Vedanta.

In his early years in Virupaksha Cave, he would occasionally visit Padmanabha Swami, popularly called Jatai Swami because of his matted hair. The Swami had several Sanskrit books through some of which Ramana would glance, and remember all that he had read. We have already seen that even as a boy at school he was remarkable for his prodigious memory. A scholar once came to the cave and left a copy of Sankaracharya’s Vivekacudamani, a metrical manual of Vedanta, which expounds the truth of Advaita in a clear and comprehensive manner. Ramana read it and also a metrical Tamil version produced by Palaniswami. Then it occurred to him that a prose translation would be very useful for aspirants who did not know Sanskrit, so he undertook the translation which came to be printed and published under the following circumstances. “Uddandi Nayanar, who was the first regular devotee to be attached to Ramana, was called away in 1897 to the headquarters of the ascetic order to which he belonged. Seven years later, he returned with a hundred rupees as his offering. The Master refused to accept it, since he had no use for money and would not touch it.

Nayanar left the money with a devotee asking him to utilize it for any good cause of which the Master approved. It was spent on printing the translation of the Vivekacudamani.”

In those years there used to be tigers and leopards on Arunachala. Ramana had no fear because the sign of a jnani is desirelessness and fearlessness. Hence the wild animals would not hill and the other down. When I came out of the cave and asked, ‘Swamiji, weren’t you afraid when the two animals were playing so close to you?’ Bhagavan said with a smile, ‘Why have fear? I knew as I saw them that, after a while, one of them would go up the hill and the other down.

And they did. If we get frightened and say, “Oh! A tiger!”

They will also get frightened and say, “Oh! A man!” and will rush forward to kill us. If we do not have fear, they too will not have any fear, and will then move about freely and peacefully.’” In spite of all that Bhagavan had said, Sastry ” added, “My fear never left me.

Ramana would never take anything without sharing it with all those present.

As a result often there would not be enough food to go around. Ramana has narrated what used to happen. “When I was in Virupaksha Cave, Sundaresa Iyer used to go out into the town for bhiksa and brings food. At times, there used to be no curry or chutney. People to eat were many while the food obtained was limited. What were we to do? I used to mix it into a paste and pour hot water over it to make it like gruel, and then give a glassful to each and take one myself. Sometimes we all used to feel that it be frightened of him.

An interesting incident is recorded by Vasudeva Sastri.

“In the broad daylight Swamiji and I were seated on the rock outside the cave. In the valley below, a tiger and a leopard were playing with each other and Bhagavan was smiling as he watched the friendly movements of the two animals. I was however in a terrible fright and requested Bhagavan to come into the cave. He was adamant and sat there motionless. As for myself, I sought the shelter of the cave. The two animals played about for a while, looked at Swamiji in the same way pets do, and without any fear or expression of anger went their own way, one going up the hill and the other down. And they did. If we get frightened and say, “Oh! A tiger!”

They will also get frightened and say, “Oh! A man!” and will rush forward to kill us. If we do not have fear, they too will not have any fear, and will then move about freely and peacefully.’” In spite of all that Bhagavan had said, Sastry added "My fear never left me".

Ramana would never take anything without sharing it with all those present. As a result often there would not be enough food to go around. Ramana has narrated what used to happen. “When I was in Virupaksha Cave, Sundaresa Iyer used to go out into the town for bhiksa and bring us food. At times, there used to be no curry or chutney. People to eat were many while the food obtained was limited. What were we to do? I used to mix it into a paste and pour hot water over it to make it like gruel, and then give a glassful to each and take one myself. Sometimes we all used to feel that it would be better if we had at least some salt to mix with it. But where was money to buy salt? We should have had to ask someone for it. If once we began to ask for salt, we would feel like asking for dhal, and when we ask for dhal, we would feel like asking for payasam, and so on. So we felt that we should not ask for anything, and swallowed the gruel as it was. We used to feel extremely happy over such a diet. As the food was sattvic, without spices of any kind, and there was not even salt in it, not only was it healthy for this body, but there was also great peace of mind."

The Most Significant Event After Enlightenment

The first biographer, B.V. Narasimha Swami, had interviewed Ramana about an incident which happened in 1912 while he was staying at the Virupaksha Cave. This interview is given as an appendix to Narasimha Swami’s biography under the heading, “A strange and remarkable incident in the life of Sri Maharshi.” The significance of this event is therefore likely to be lost sight of.

In 1912, Ramana, Palaniswami, and Vasudeva Sastri, and a few others went from Virupaksha Cave to Pachiamman Koil for taking an oil bath as facilities for such a bath were available in plenty in that place. After bathing they returned cutting a path across the hill for themselves.

The sun was fairly hot even at about 10 a.m. when they reached the tortoise rock. Ramana began to feel faint and what happened is best stated in his own words. “Suddenly the view of natural scenery in front of me disappeared and a bright white curtain was drawn across the line of my vision and shut out the view of nature. I could distinctly see the gradual process. At one stage I could see a part of the prospect of nature yet clear, and the rest was being covered by the advancing curtain. It was just like drawing a slide across one’s view in the stereoscope. On experiencing this I stopped walking lest I should fall. When it cleared, I walked on. When darkness and faintness overtook me a second time, I leaned against a rock until it cleared. And again for the third time I felt it safest to sit, so I sat near the rock. Then the bright white curtain had completely shut out my vision, my head was swimming, and my blood circulation and breathing stopped. The skin turned a livid blue. It was the regular death-like hue and it got darker and darker. Vasudeva Sastri took me in fact to be dead, held me in his embrace and began to weep aloud and lament my death. His body was shivering. I could at that time distinctly feel his clasp and his shivering, hear his lamentation, and understand the meaning.

I also saw the discoloration of my skin and I felt the stoppage of my heartbeat and respiration, and the increased chilliness of the extremities of my body. Yet my usual current was continuing without a break in that state also. I was not afraid in the least, nor felt any sadness at the condition of my body. I had closed my eyes as soon I sat near the rock in my usual posture but was not leaning against it.

The body which had no circulation nor respiration maintained that position still. This state continued for some ten or fifteen minutes. Then a shock passed suddenly through the body, circulation revived with enormous force, as also respiration; and there was perspiration all over the body at every pore. The color of life reappeared on the skin. I then opened my eyes, got up and said, ‘Let us go.’ We reached Virupaksha Cave without further trouble. That was the only occasion on which both my blood circulation and respiration stopped.”

At the time of enlightenment, which happened on July 17, 1896, Ramana had only the sudden fear of death. However, in order to go through the experience of what death means, “he stretched himself like a corpse as though rigor mortis had set in and held his lips tightly together and his breath.” It was not a physical death but an experience of death intensely felt as part of investigation to find out and discover “Who am I? Still I felt within myself the ‘I’ was there, the sound was there, the feeling itself ‘I’ was there. What was that? I felt that it was a force or current, a center of energy playing on the body working on despite the rigidity or activity of the body though existing in connection with it.”

This experience that the true “I” was a current or a force or center that constituted the real “I” stayed with him for the rest of life.

The second experience is different in that there was a physical death for 10 or 15 minutes.

The heart beat  and the blood circulation had stopped and the body had become cold and blue. But the experience of awareness of the heart current as the “I” remained.  This is the  most significant aspect of this experience. Even while narrating the experience Ramana has clearly stated, “Yet my usual current was continuing as usual without a break in that state also.”

Ramana himself has referred to this incident in the course of his conversation with B.V. Narasimha Swami, years later, in 1937. The relevant portion reads as follows:

“I used to feel the vibrations of the Heart, which resemble those of a dynamo, even in school. When I developed rigor mortis many years ago in Tiruvannamalai, every object and sensation disappeared,  except  these  vibrations.

It was as if a dark screen was drawn before my eyes and shut the world completely from me, but of course I was all along conscious of the Self, with a vague feeling that someone was crying near me. This state continued till just before I regained physical consciousness, when I felt something rush from the Heart to the left chest and re-establish life in the body.”

One shudders at the thought as to what would have happened if the life force had not re-established itself in Ramana’s body. But then it had to happen only in that way in the divine scheme of things. One who is aware of the life of Ramana will also be aware that the earmarked role for Ramana in the divine scheme was to guide seekers of truth, as the inner and outer guru, on the direct path of self-enquiry for Self-knowledge. This role as the sadguru was to be for about another five decades in the body from the date of this experience. Ramana’s steady Self-awareness and accessibility ensured this.

 

Friday, March 22, 2024

Vidyas from the Upanishads



 







Swami Sivananda

1  Sat-Vidya

This Vidya occurs in the Chhandogyopanishad, VI. 2. 1 & 2, where Uddalaka instructs Svetaketu on the nature of Existence.

In the beginning O son, this was mere Existence, one only without a second. Regarding this some others say at first this was mere non-existence, one alone without a second. From that non-existence proceeds existence. But verily, O son, how can this be? How can existence come from non-existence? Hence, O son, this was existence only in the beginning, one alone without a second.

From non-existence existence cannot come out, for, even non-existence is an existence, a being. As regards the sentence in the Taittiriyopanishad which says that existence came from non-existence, it is explained that here non-existence refers to the state of Avyaktam where the manifold world does not exist and from which the existence of the world is evolved. Meditation on Sat-Vidya enables one to assert the reality of the Sat aspect of the Absolute whose essential nature is Chit and Ananda. In continuation of this, Uddalaka asserts the great dictum of identity, Tat Tvam Asi That thou art.

2  Bhuma Vidya

This Vidya occurs in the Chhandogyopanishad, VII. 24, where Sanatkumara instructs Narada in the nature of the Unconditioned Infinite Plenum or the Fullness of Being.

Where one sees nothing else, hears nothing else, understands nothing else that is called the Infinite Plenum. But where one sees something else, hears something else, understands something else that is called the little finite. That which is Infinite is Immortal, and that which is finite is mortal.

This is perhaps the greatest of all the Upanishadic Vidyas, for it sums up the entire result of all philosophies and Vedantic enquiries. It treats of the most exalted Absolute State of unlimited bliss and immortal life after attaining which one returns not to mortal existence. In continuation of this, Sanatkumara mentions that the Infinite, the Self, the I are all identical and that this One Being alone is the Truth. The knower of this Vidya becomes the Self-Emperor and exists as the Infinite whole.

3  Maitreyi Vidya

This Vidya occurs in the Brihadaranyakopanishad, II. 4 and IV. 5. Sage Yajnavalkya instructs his Brahmavadini wife, Maitreyi, on the nature of the Highest Self.

O Dear, not for the love of this all, this all is dear, but for the love of the Self, this all is dear. This Atman (Self), O Maitreyi, is to be seen, heard of, reflected upon and meditated upon. O dear, through the seeing of hearing of reflecting upon and knowledge of this Self, all this becomes known. Where there is duality as it were, there one sees the other, smells the other, hears the other, speaks to the other, thinks of the other, understands the other. But where one's Self alone exists everywhere, then through what can one see what, through what can one smell what, through what can one hear what, through what can one speak to what, through what can one think of what, through what can one understand what? Through what can one understand that by which everything else is understood? O dear, through what can one understand the understander?

The Bhuma Vidya and the Maitreyi Vidya form the culmination of the entire philosophy of the Upanishads. The Absolute Reality is affirmed and declared in boldest terms in these two Vidyas. The non-existence or the illusory nature of the world-phenomenon and the truth of the One Indivisible Essence is asserted. When cause and effect are different from one another there arises the concept of duality. When cause and effect are blended into one, everything becomes One without a second. These two Vidyas are useful for the highest Advaitic Meditation on the unconditioned Absolute.

4  Sandilya Vidya

This Vidya occurs in the Chhandogyopanishad, III, 1. This Vidya is ascribed to the sage Sandilya.

Verily all this is Brahman; Tranquil, one must worship it as that from which this comes forth, as that into which this will be dissolved, as that in which this lives. This, the Soul of mine within the heart, is Brahman. Into Him I shall enter on departing hence.

This Vidya further extends its form of meditation by conceiving of the Self as smaller than an atom and bigger than the universe, containing all works, desires, mind, life, odours, tastes, as being unspeaking and unconcerned, etc. Thus the Vidya is suited to Saguna Meditation, though by divesting it of such particular attributes it may be used for Nirguna Advaita Meditation also.

5  Dahara Vidya

This Vidya occurs in the Chhandogyopanishad, VIII. 1.

This abode, the small lotus that is here within this city of Brahman, and the small space within that lotus what is there within this space, that is to be searched out, that certainly is to be known. Verily, as extensive as the external Akasa, is this eternal Akasa. Within it are contained the heaven and the earth, both fire and wind, both Sun and moon, lightning and stars, both what exists here and what does not exist; everything here is contained within it.

This is one of the greatest of the Vidyas. The all-pervading and all-inclusive nature of the Self is stressed upon in this Vidya. In this meditation, the meditator feels the whole universe as his Self and excludes nothing from the One Self. This Vidya further explains the identity of the external and the internal, the objective and the subjective, the macrocosmic and the microcosmic, the universal and the individual. Brahman and Atman.

6  Vaisvanara Vidya

This Vidya occurs in the Chhandogyopanishad, V. 12 to 18. Asvapati Kaikeya describes the Vaisvanara Vidya to Uddalaka and five other seekers after knowledge of the Vaisvanara Self.

Its head is heaven, its eye Surya, its breath Vayu, its trunk Akasa, the Apas its bladder, its feet the earth, its breast the sacrificial altar, its hand the sacrificial grass, its heart the Garhapatya fire, its mind the Anvaharyapachana fire (Dakshinagni), its mouth the Ahavaniya fire.

Thus the Vaisvanara Self is described as pervading the three worlds. The attainment of excellence affected through this Vidya is proportional to the extensiveness or the inclusiveness of the conception of the body of the Vaisvanara Self that is meditated upon. A limited conception will bring limited results and a wider conception will bring greater results, and an absolute conception will bring immediate salvation.

7  Panchagni Vidya

This Vidya occurs in the Chhandogyopanishad, V. 3 to 10, and Brihadaranyakopanishad, VI. 2, and also in Kausitaki briefly. In this Vidya of five fires five acts of the universe are conceived of as sacrifices with their fire, fuel, smoke, flame, coals and sparks. Thus are the respective sacrifices represented:

 

Fire

 

Fuel

 

Smoke

 

Flame

 

Coals

 

Spark

1

Heaven

Sun

Light-rays

Day

Moon

Stars

2

Rain-wind

Mist

Lightening

Thunder-hailstorms

Cloud

Bolts

3

Earth

Year

Space

Night

Quarters

Intermediate Quarters

4

Man

Speech

Prana

Tongue

Eyes

Ear

5

Woman

 

 

 

 

 



The soul on its journey from heaven to be born again in a body has to pass through these five fires in order to acquire its fresh body. Fire disintegrates as well as integrates the body, it destroys and creates the body during death and birth respectively. The soul acquires new and new bodies as it descends and ascends through these fires. Each time the soul takes a body in each of these five planes an Agnihotra is performed in order to get a body in each world. The organs of the body in their relation to the soul are here the officiating priests of the Agnihotra sacrifices. Each preceding sacrificial oblation has the succeeding one produced as the food. One who has got the knowledge of the fires ascends to Saguna Brahman through Devayana Path.

8  Udgitha Vidya

This Vidya occurs in the Chhandogyopanishad, I, II. OM! Thus one should meditate on the Udgitha, for, one sings the loud chant with OM! The essence of all things is the earth. The essence of earth is water. The essence of water is plants. The essence of plants is the person. The essence of the person is speech. The essence of speech is the Rik (hymn). The essence of Rik is Sama. The essence of Sama is Udgitha. This is the best essence of all essences, the highest, the supreme, the eighth, the Udgitha.

This meditation on Udgitha-Omkara is one of the best methods of Upanishadic Sadhana. OM is the supreme essence of Sabda or Sound, and Sound is the source of the entire universe. Hence OM is all the three worlds, past, present and future and even what is beyond the threefold time. During chanting and meditation on Udgitha-Omkara the processes of sound as determined by the Sama-Veda and explained in the Chhandogyopanishad have to be adhered to. OM is the highest symbol of Brahman, the Sabda-Brahman, from which proceed the Vedas and the worlds. This meditation can be used both for Saguna and Nirguna Realisations.

9  Purusha Vidya

This Vidya occurs in the Chhandogyopanishad, III. 16. Here a Person is described as a sacrifice.

Verily, a person is a sacrifice. His first twenty-four years the morning oblation, the next forty-four years are the midday oblation, the third forty-eight years (i.e. until the age of 116) are the third oblation.

One who knows this Vidya lives for 116 years without sickness or disease. The Upanishad says that Mahidasa Aitareya who knew this Vidya said, Oh! Why do you afflict me with sickness? I cannot be destroyed by thee. And he lived for 116 years. Even so anyone who knows this.

The details of this Vidya are given in the Mantras 1 to 7 of the sixteenth section of this Prapathaka. This is a method of meditation on one's own life as a sacrifice in order to live a healthy long life.

The first part of the life is devoted to study, the second to household life and the third to spiritual practices. The universalisation of one's conception of life leads to immediate liberation.

10  Paryanka Vidya

This Vidya occurs in the Kausitaki Upanishad, I. This describes the Vidya called Paryanka or the couch of Hiranyagarbha or Brahma. Chitra Gargyayani instructs Uddalaka and Svetaketu on this beautiful Vidya.

The soul, when it becomes desireless, passes beyond the moon. Then it goes to the world of lightning. Then the Guru meets him. To him the disciple should say, I am thyself'. Then he is allowed to move further. Then the soul passes through worlds of Agni, Vayu, Varuna, Indra, Prajapati and lastly Brahma. In the last world, the world of Hiranyagarbha, there in the centre of the Hall is seated on his couch Brahma. And to Him he should say, you are everything, and I am yourself', and then he is allowed in and meets Brahma.

Before Brahma is reached the soul passes through various stages of consciousness which are described in detail in the Upanishads. The throne of Brahma called Vichakshana in the Hall called Vibhu-Pramita is described as of immeasurable radiance and splendour. One who reaches this, becomes filled with infinite power and glory. In the Brahma-Sutras it is said that one who goes to this place gets even the power of creating, preserving and destroying the worlds if he gets in tune with the one who is seated on the throne. This meditation leads to Saguna-Brahman.

11  Akshara Vidya

This Vidya occurs in the Brihadaranyakopanishad III. 8. Yajnavalka instructs Gargi on the Akshara-Vidya or the Knowledge of the Imperishable Being.

That, O Gargi, Brahmanas call the Imperishable. It is not coarse, not fine, not short, not long, not glowing, not adhesive, not shadowy, not dark, not airy, not space, not sticky, odourless, tasteless, without eye, without ear, without voice, without wind, without energy, without breath, without mouth, without measure, without inside, without outside. It eats nothing. No one eats it.

This Vidya is the corollary of the neti-neti method of Vedantic Meditation. All phenomenality and relatedness are denied their validity and after negating every conceptual attribute, what remains is that which is, the Eternal, Akshara.

12  Samvarga Vidya

This Vidya occurs in the Chhandogyopanishad, IV. 2, 3. Sage Raikva initiates Janasruti on this Vidya.

Cosmically, Vayu is the ultimatum of all. Fire, Sun, Moon, Parjanya, merge into Vayu only. Individually, Prana is the ultimatum of all. In sleep, speech, eye, ear, mind merge into Prana only. Vayu and Prana are the two Samvargas or absorbents. Earth, water and fire merge in Vayu.

This is one of the most important Vidyas which elucidates the supremacy of the Prana or the Vital Air both in its cosmical and individual aspects. The atonement of the Prana and the Vayu enables one to reach the Maha-Prana or Hiranyagarbha, the Life-Principle of the universe. This process of Meditation on the Life-Principle lies through the harmonising of the Prana and concentration on the unity of the phychic beings of the individual and the universe. It is told in this Vidya that denying food to a guest at the door is denying food to the Cosmic Life-Principle for it exists in all equally. To one who knows this, all this world comes to light and he becomes the cosmic consumer of food, the Hiranyagarbha.

13  Madhu Vidya

This Vidya occurs in the Chhandogyopanishad, III. 1 to 11. Verily, the Sun is the honey of the gods. The cross-beam for it is the Sky. The atmosphere is the honey-comb. The light-rays are the eggs. The eastern rays are the eastern honey-cells. The Rig verses are the bees. Rig-veda is the flower. Honey is produced thus:

The Rig-verses, brooded upon the Rig-veda. From it, when it had been brooded upon, there was produced as its essence, splendour, brightness, power vigour and food. It flowed forth. It rested in the Sun. That is the red appearance of the Sun.

The Sun is described here in this Vidya as motionless and remaining alone with neither rising nor setting. From the standpoint of the Sun the sky is described as a cross-beam of the honey-comb because the three worlds are like eggs, the higher expanding beyond the lower, and from the second world (atmosphere) which is between the Sun and the earth, the third world would appear like a cross-beam. The Sun is the honey or the Self of the second world, even as the Soul is the honey of the body. The Devas or the gods have this honey which they do not drink but are satisfied at the mere sight of it. The metaphorical meditation on the Sun as the honey implies the meditation on the world-soul which is the centre of the worlds and the planes of consciousness existing external to it. This meditation leads to Saguna Brahman and to reach the Nirguna Brahman one has to transcend the central essence of the Sun where Brahman is said to be with His Mayaic splendour. One who knows this Vidya, to him the Sun does never set. It is always day for him, the Light of the essential Soul. The Upanishad says that the whole earth with its treasures is nothing before this Vidya.

14  Prana Vidya

This Vidya occurs in the Chhandogyopanishad, I. 11, and Kausitaki Upanishad, II, III.

Verily, all beings here enter into Prana and depart from it.

In this Kausitaki Upanishad Prana is called the Paryanka of Brahma with indescribable splendour. And here Prana is identified with Brahman itself. Prana is Mukhya, the most supreme. Mind is its messenger, ear its door-keeper, speech the true woman, the wife of Prana, the deity of deities. The meditator should rise to the meditation on Brahman from this Mukhya-Prana, which is the starting point of super physical life.

15  Upakosala Vidya

This Vidya occurs in the Chhandogyopanishad, IV. 10-15. Upakosala, the disciple of  Satyakama Jabala instructed on this Vidya by the three fires.

Prana is Brahman. Happiness is Brahman. Ether is Brahman. Happiness and Ether are one.

The Garhapatya, Dakshinagni and Ahavaniya fires instruct Upakosala on their being the Purushas in the Sun, moon and lightning respectively. Those who meditate upon these pass beyond the world of Agni to which the soul passing through the Devayana is led by the Amanava Purusha. Collective meditation on these leads the Upasaka to Prana and Akasa which reflect the bliss of Brahman. The meditator on these three goes beyond earth, fire, food, Sun, water, quarters, stars, moon, breath, space, sky, lightning, which are the bodies of the fires, and reaches the Centre of Joy through the Devayana Path, when these are conceived of as subjective and not objective.

16  Akshi Vidya

This Vidya occurs in the Chhandogyopanishad, IV. 15. Satyakama instructs Upakosala.

That person who is seen in the eye, He is the Self. That is Immortal, Fearless. That is Brahman. If anyone pours ghee or water on that, it passes away.

Here meditation in an internal process and not objective. Hence sacrificial oblations with ghee, water, etc., are fruitless in this case. The meditation is not on the eye but the Purusha within it which is the essential Soul functioning in the waking condition. A meditator on this goes beyond the waking state and is led to the Saguna Brahman. The knower of this Vidya accrues all that is excellent and becomes effulgent. One who reaches this Brahman returns not to mortal coil.

17  Antaraditya Vidya

This Vidya occurs in the Brihadaranyakopanishad, V. 5. 2.

This Sun is the same as that real. The person who is there in that orb and the Person who is herein the right eye, these two abide in each other. Through his rays that one abides in this one; through his vital airs this one in that. When one is about to quit the body, he sees that pure orb. The rays do not come to him again.

This is the counterpart of the Akshi Vidya, the cosmic representation of the same, through the combination of which two the meditation becomes complete or integral; and there is effected the conscious revelation of the Real through the merging together of the subjective and the objective manifestations of the Purusha.

18  Aditya Vidya

This Vidya occurs in the Chhandogyopanishad, I. 6. 6. 7.

Sa is the white shining of the Sun. Ama is the dark, the ultra-black. This is Sama. That golden person who is seen within the Sun has a golden moustache and golden hair and is golden even to the fingernail tips. His eyes are even as Kapisa-lotus. His Name is the High'. He is above all evil and sin. He who knows this goes beyond all evil.

One who realises the Aditya-Purusha through this Vidya goes above sin and reaches Saguna Brahman. The golden Purusha within the Sun is the shining Self adorned with attributes and hence the Highest Brahman itself conceived of qualitatively.

19  Satyakama Vidya

This Vidya occurs in the Chhandogyopanishad, IV. 4. 9. Sage Haridrumata's disciple, Satyakama Jabala is instructed by a Bull, Fire, a Swam and a Bird.

The four quarters are the first Pada of Brahman called shining'. The earth, the atmosphere,the sky, the ocean, is the second Pada of Brahman called Endless'. Fire, Sun, Moon, Lightning are the third Pada of Brahman called Dazzling'. The breath, the eye, the ear, the mind, is the fourth Pada of Brahman called Having-Abode.

This Vidya makes one shining, endless, dazzling and with an abode or support. The meditator reaches the Saguna Brahman by passing beyond the quarters and reaching the Whole consisting of four quarters through gradual transcending of the Padas in the process of meditation on the symbols that represent the manifestations of the one Brahman.

20  Akasa Vidya

This Vidya occurs in the Chhandogyopanishad, I. 9, 1-2.

Verily, all things here arise out of space. They disappear back into space, for space alone is greater than all these. It is the great goal. This is the most excellent Udgitha. This is endless. The most excellent belongs to him, the most excellent worlds does he win who, knowing it thus, meditates on the most excellent Udgitha. Verily, what is called space is the accomplisher of name and form. That within which they are is Brahman. That is Immortal. That is the Self. I shall attain the abode and assembly-hall of Prajapati.

Akasa is the highest of all Tattvas and is the great receptacle. Vayu is the great consumer. The Akasa is Udgitha for sound is the Tanmatra of Akasa. Space or ether is the producer of the name-and-form-world and Brahman is beyond the two. This Brahman is Saguna Brahman. Ether is the highest and subtlest principle and hence nearest to Brahman.

21  Bhrigu-Varuni Vidya

This Vidya occurs in the Taittiriyopanishad, third Valli.

He realised that Bliss is Brahman. From Bliss, indeed, are all beings born, in Bliss, when born, they live, into Bliss, in the end, they enter.

Whoever transcends the five Kosas and realises that Bliss is Brahman gets established in Brahman. He becomes great in splendour, great in Knowledge great in fame, one who knows this.

This Vidya aims at the innermost seat of Bliss, on a small part of which other creatures are living.

22  Anandamaya Vidya

This Vidya occurs in the Taittiriyopanishad, second Valli, eighth Anuvaka.

The Bliss of one good youth well versed in the Vedas, firm, strong, healthy, quick, to whom the whole earth with all its wealth belongs, is one kind of bliss. Hundredfold and hundredfold greater in bliss in the order of succession are the states of Manushya-Gandharvas, Deva-Gandharvas, Pitris, Ajnanaja-Devas, Karma-Devas, Devas, Indra, Brihaspati, Prajapati, Brahman.

The bliss of Brahman is not to be considered as equal to a result mathematically arrived at by multiplying human joy by many hundred folds but it is the Bliss that is indescribable and infinite, the eternal the only existence. Every time it is asserted that the Veda-knower enjoys all these degrees of Bliss provided he is untainted by desire and passion.

23  Ushasta-Kahola Vidya

This Vidya occurs in the Brihadaranyakopanishad, III, 4. 5.

Rishi Yajnavalkya instructs Ushasta and Kahola. He (Brahman) is your Soul, which is in all things, breathes in with your breathing in is the Soul of yours, which is in all things. He who breathes out with your breathing, out is the Soul of yours, which is in all things. He who breathes about with your breathing about is the Soul of yours, which is in all things. He who breathes up with your breathing up is that Soul of yours, which is in all things. He is your Soul which is in all things. You cannot see the Seer of seeing. You cannot hear the hearer of hearing. You cannot think the Thinker of thinking. You cannot understand the Understander of understanding. He is your Soul, which is in all things. Everything else than Him is wretched.

He who is beyond hunger and thirst, beyond sorrow and delusion, beyond old age and death, knowing Him who is the Soul, Brahmanas renounce the desire for sons, desire for wealth, desire for worlds, and live the life of mendicants. Let a Brahmana, therefore, become disgusted with learning and desire to live like a child. When he has become disgusted both with the childlike state and learning, then he becomes silent. When he has become disgusted both with the silent (Mouna) state and the non-silent (Amouna) state, then he becomes a Brahmana.

In both of these meditations the Self is to be meditated upon as identical with Brahman.

24  Uddalaka-Aruni Vidya

This Vidya occurs in the Brihadaranyakopanishad, III. 7. Yajnavalkya instructs Uddalaka Aruni.

Wind, O Gautama, is the thread that ties together this world and the other world and all things. Therefore, O Gautama, they say of a deceased person, his limbs become united(because the Prana-Vayu has departed)'.

He who dwells in all beings, and yet, who is other than all beings, who controls all beings from within, He is your Soul, the Inner Ruler, the Immortal. There is no other seer but He, there is no other hearer but He, there is no other thinker but He, there is no other understander but He; He is your Soul, the Inner Ruler, the Immortal! All else than Him is wretched.

In this Vidya meditation is to be practised on the absolute identity of the Self and Brahman which is One Fullness of Existence.

25  Svetaketu Vidya

This Vidya occurs in the Chhandogyopanishad, VI. 8. Uddalaka instructs Svetaketu on the identity of the Atman and the Brahman.

That which is the finest Essence, the whole universe has That as its Self. That is the Reality. That is the Atman. That thou art, O Svetaketu!

This is called the Abheda-Bodha-Vakya or the Brahma-Upadesa-Vakya which asserts the one Unity of Existence, the Unity of the subjective Self and the Infinite Brahman. This is understood through its right and direct meaning or Lakshyartha which conveys the truth of one's being the Highest Brahman Itself. The Lakshyarthas of That and Thou are Brahman and the Kutastha-Chaitanya and the word Art signifies the oneness of these two forms of Pure Consciousness.

26  Jyotisham Jyotir-Vidya

This Vidya occurs in the Brihadaranyakopanishad, IV. 16.

This is the Vidya of the Light of Lights.

That before which the year revolves with its days, That the Devas worship as the Light of Lights and Life Immortal.

Here the meditator is to contemplate on Brahman as the Light of Lights, the Brilliant, Dazzling Consciousness. Thereby the meditator, being already the Light of Consciousness, becomes the light of the Brahman-Consciousness.

27  Satya-Jnana-Ananta Vidya

This Vidya occurs in the Taittiryopanishad, II. 1. Brahman is Truth, Knowledge, Infinity.

This is the Svarupa-Lakshana or the essential nature of Brahman. Infinity is Bliss, Brahman is Consciousness-Bliss these are the declarations of the Chhandogya and the Brihadaranyaka Upanishads regarding the nature of Brahman.

Hence Truth-Knowledge-Infinity means Existence-Knowledge-Bliss or Satchidananda.

28  Shodasakala Vidya

This Vidya occurs in the Prasna Upanishad, VI. 4, 5.

He (Purusha) created Prana; from Prana, faith, space, wind, light, water, earth, sense-faculty, mind, food; from food virility, austerity, Mantras, sacrifice, the worlds; and in the worlds, name(individuality). As these flowing rivers that tend towards the ocean disappear, their names and forms are destroyed, and it is called simply the ocean. Even so of this seer these sixteen parts that tend towards the Person, on reaching the Person, disappear, their names and forms destroyed, and it is called simply the Person.' That One exists without parts, Immortal!

This is a meditation on the process of the highest Salvation of the self through merging in the highest Imperishable Purusha, whereby the meditator gets immediate Liberation.

Conclusion

All the Vidyas lead one from the unreal to the Real, from darkness to Light, from mortality to Immortality. They lead the soul from the Moola-Ajnana to the highest Brahman either through Krama-Mukti or Sadyo-Mukti. Sri Sankaracharya says in his Brahma-Sutra-Bhashya that even those who go to Saguna-Brahman (through Vidya-Upasanas) will ultimately go to Nirguna-Brahman.

It is a settled matter that those who through Perfect Knowledge have dispelled all mental darkness and are devoted to the Eternally perfect Nirvana do not return. And as those also who rely on the knowledge of the Saguna-Brahman in the end have recourse to that Nirvana, it follows that they also do not return. (Brahma-Sutra-Bhashya: IV. 4. 22).