Introduction:- A white peacock presented by the Maharani of
Baroda, became the darling of Bhagavan. He had a cage just beside His couch and
was watched by it day and night. It would get up on Bhagavan’s book-rack and
gently peck at the books with his beak. He would daily visit the work of
temple-construction that was then going on in the Ashram and would also enter
the dining-hall and walk between the rows of people seated at meals, and so he
earned from Bhagavan the title Assistant Sarvadhikari! Bhagavan said that some
people believed that the white peacock was the reincarnation of Madhavaswami;
and ever afterwards Bhagavan used to address him as ‘Madhava’. On June 20,
1947, G.V.Subburamayya composed eight Telugu verses on the white peacock in
Mayura Vrittam (peacock-metre) and presented them to Bhagavan in the Jubilee
pandal. Bhagavan appeared greatly pleased with them and, handing them to Lalita
Venkataraman, suggested that she might sing them with her vina. Within half an
hour she brought her vina and got ready to sing. Just then the white peacock
was absent. Bhagavan said, “But the hero must be present to hear his praises
sung! Where are you, Madhava? come.” Lo! at once the white peacock jumped down
from the roof of the pandal; and while Lalita sang, he spread out his tail
feather and danced as Bhagavan sat and watched him with beaming eyes. When the
singing concluded, the peacock walked to the vina and pecked at its strings
with his beak. Thereupon Bhagavan told the singer, “Madhava wants you to repeat
the song.” So she sang once more and the peacock danced again. It was a sight
for the gods to see.
Verse 1:- White Peacock, speak quick, art thou
Ayyaswami who, saying ‘I will never leave you whatever might happen,’ to serve
his own Guru, assumed this shape on earth!
Verse 2:- (Or) say O White Peacock, art thou Madhavan,
so sweet-natured, who, while enjoying the bliss of serving the feet of Sri
Ramana, was snatched away by dull Fate, and has returned thus to Sri Ramana on
this earth!
Verse 3:- Without any diffidence or hesitancy for
being new, thou cheerfully exercisest supervision everywhere in the Ashram.
Thou also seekest to set books aright. Say, O White Peacock, how hast thou
acquired this devotion!
Verse 4:- Seeing thy lustre, thy beauty, thy graceful
gait, thy tremulous gestures, thy gleam and glitter, O White Peacock, our eyes
thrill as though Heaven had descended upon earth to dance….
Verse 5:- Bhagavan incessantly gives thee His look
overflowing with Grace, love, and great compassion; and He always talks of thee
with exceeding zeal. Thou art verily Goddess Lakshmi of Sri Ramanashram,
O Peacock!...
Verse 6:- To run as fast to hear the vina-music and
dance, so finely and wonderfully, to get imprinted thus in the pure mind of Sri
Ramana of Arunachala, thou mayst be the Goddess Saraswati incarnate, O
Peacock!...
Verse 7:- Perhaps the radiance of Satvaguna (purity and
light) has thus manifested in shape. Perhaps the Vedic utterance, That Thou
art, Bhagavan’s exclusive possession complete perfection, art thou alone, O
White Peacock!...
Verse 8:- Where is this Arunachala! Where is that
Baroda! Having been born there, to have thus joined Maharshi here, art thou the
Peacock of God Skanda, O thou of moon-like body? Hail to thee, O beloved Son of
Bhagavan!”
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